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Invitation to My Dissertation Lecture, August 29th

By Cynthia R. Nielsen

August 25, 2011

To all in the D/FW area interested in the topic, I would like to extend an invitation to participate in my dissertation lecture. My dissertation is entitled, “Constructed Subjectivities and a ‘Thick’ Account of Agency: A Foucauldian Dialogue with Douglass, Fanon, and the Augustinian-Franciscan Tradition.” The lecture shall begin at 6:30pm at the University of Dallas, Gorman Faculty Lounge (#6 on the campus map) on Monday, August 29th. A brief question and answer period and a reception shall follow the lecture. If you are interested, promise that you won’t throw tomatoes or any other objects, and can make it, I would love to see you there! You may read the dissertation abstract here.

 

Dissertation Abstract: Constructed Subjectivities and a “Thick” Account of Agency: A Foucauldian Dialogue with Douglass, Fanon, and the Augustinian-Franciscan Tradition

By Cynthia R. Nielsen

July 8, 2011

If everything goes according to the plan, I am scheduled to defend my dissertation the last week of August (at this time the exact date has not been given).  Below is a copy of my dissertation abstract for those interested.

Constructed Subjectivities and a “Thick” Account of Agency: A Foucauldian Dialogue with Douglass, Fanon, and the Augustinian-Franciscan Tradition

 

Cynthia R. Nielsen, Ph.D.
University of Dallas, 2011
Director: Philipp W. Rosemann

Abstract

Michel Foucault offers penetrating analyses of how subjectivities are constructed. His statements regarding the ubiquity of power relations have been misinterpreted as both a denial of human agency and a death blow to the subject. Against this entrenched view, I argue that his understanding of power relations presuppose free subjects and, in fact, creates a space for resistance possibilities.

Foucault articulates a “metaphysically thin” account of agency. That is, a free subject is one whose relations with others produces a field of possibilities for acting on one’s own as well as others’ actions. That field may, of course, become severely restricted. Nonetheless, even in extremely oppressive situations, an agent retains her freedom as long as she is able in some way to resist.

Here our dialogue with Douglass and Fanon proves fruitful. Douglass, for example, was forced to live in an inhumane slave society; yet, he engaged in subversive acts, allowing him to re-narrate his subjectivity. Although Douglass’s freedom was constrained, he was not rendered completely passive. Through examining Douglass’s and Fanon’s concrete experiences of oppression, I demonstrate the empirical validity of Foucault’s theoretical analyses concerning power relations and subject-(re)formation.

Unlike Foucault, Douglass and Fanon were forthright concerning their moral evaluations. That is, they condemned as intrinsically evil the practice of slavery and colonization. Foucault’s reticence to make transcultural moral judgments signals a weakness in his account not unrelated to his reticence to affirm universal structures of human being. Consequently, Foucault’s anthropology and “ontologically minimalist” view of agency creates an obstacle for our modern and premodern dialogue partners.

I then turn to Augustine whose critique of Roman narratives, awareness of social conditioning, and processive view of the self exhibit striking similarities to Foucault’s reflections. However, Augustine’s ambiguous position regarding agency coupled with his (strong) doctrine of sin is, for Foucault, unpalatable. Enter Scotus. Scotus’s notion of agency affirms the power for opposite acts, and his “thick” account of the will and freedom establishes a basis for transcultural, moral critique. Scotus thus serves as a via media, facilitating constructive dialogue with (post)modern thinkers evincing emancipatory concerns and attunement to social construction.

 

An Interview: Approaching Texts as Philosophical Improvisations

By Cynthia R. Nielsen

May 27, 2011

For those interested, I was interviewed recently by a colleague, fellow philosopher, and friend, J. Douglas Macready, who blogs at The Relative Absolute. In the interview, we discuss informally, what I have called in the past, an “improvisational” approach to texts.  You can access the interview here. The prelude to the interview reads:

Every philosopher eventually stumbles upon the question of method. How should philosophical texts be approached, read, interpreted, and assimilated into one’s philosophical project? How should philosophical inquiry proceed? What are the sources of a genuine philosophical method? Conversely, is method even necessary, or does it impede philosophical reflection?

Recently, I have been thinking through these questions with my colleague Cynthia R. Nielsen, who blogs at Per Caritatem. We have been exploring the methodological potential of jazz improvisation. The possible relationship between jazz improvisation and philosophical methodology arose during a discussion of Nielsen’s dissertation and her forthcoming book titled Foucault and Self-Writing: On the Art of Living as Improvisation (forthcoming, Wipf & Stock 2012.) Nielsen, who is both a philosopher and a jazz guitarist, has been writing at the intersection of music and philosophy for some time (see her “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music,” Expositions Vol 3 No 1 (August 2009): 57-71,) but recently jazz improvisation has begun to inform her approach to philosophical inquiry in a fresh and innovative way.

In the following interview, Nielsen explains her “improvisational approach” to philosophy, and sketches out the practical application of this approach, it benefits, and its limitations.

“Mos Def on Socially Constructed Subjectivities, Stigmatized Spaces, and the Mutability of ‘Blackness’”

By Cynthia R. Nielsen

November 29, 2010

On Friday, Dec. 3, 2010 I presented a  lecture at the University of Dallas entitled, “Mos Def on Socially Constructed Subjectivities, Stigmatized Spaces, and the Mutability of ‘Blackness’.” The lecture was part of a  weekly series hosted by the philosophy department at the University of Dallas.

I have now uploaded the lecture in audio form, which you may access by clicking on the play button below:

[audio:http://bit.ly/UD-MosDef-Lecture]

Mos Def Lecture

Frederick Douglass and Reverse Discourse as an Act of Resistance

By Cynthia R. Nielsen

September 20, 2010

I will soon cross the ocean to participate in the 2010 Biennial Conference of the International Society for Religion, Literature, and Culture.  For those interested, I have posted my abstract in order to give you an overall sketch of the paper, followed by a few passages from the last section of my paper dealing with Frederick Douglass’s critique of “the Christianity of this land.”Frederick Douglass Painting

Abstract

In his first autobiography Frederick Douglass describes how his socio-political identity and his spatio-temporal existence were defined, constrained and circumscribed by the white other. Nonetheless, Douglass was able to assert his humanity through various acts of resistance. In what follows, I explore the ways in which the strategies of resistance described and performed by Douglass can be mapped onto Foucault’s elaboration of power relations and resistance possibilities. In addition to complementing Foucault’s analyses of power and resistance, Douglass’s account of his struggle with Mr. Covey proves an excellent critical dialogue partner for Hegel. Lastly, besides socio-political anti-black narratives, Douglass also encountered pseudotheological racist narratives.  Though himself a Christian, because of the way in which the Christian narrative was taken up to bolster proslavery arguments and to construct blacks as inferior, Douglass also became an ardent critic of (white) American Christianity. Recognition of the existential strain American Christianity placed on Douglass, provides an opening to view him as a socio-political, as well as religious critic “from below,” one whose prophetic voice cries out from the underside of modernity in order to expose the exclusivity, injustice, and monochrome hue of “We the People,” as well as the utter irrationality and duplicity of the whitewashed necropolis proclaiming itself “The City Upon a Hill.”[1]

Douglass’s Critique of White American Christianity

An important layer in Douglass’s multivalent text is his critique of American Christianity. Douglass himself identified as a Christian. Yet, because his local experience of Christianity was a distorted, deformed facade masquerading as Christianity, he experienced a great deal of existential and spiritual strain.  Having both endured his own lashings, and having witnessed countless cruelties performed by so-called “religious” men on the bodies of other slaves, Douglass was compelled to speak out against this rampant hypocrisy.  With the same frankness Jesus expressed toward the Pharisees, Douglass minces no words concerning these self-proclaimed “religious” men. Were he to be reduced again to slavery, next to enslavement itself, Douglass states, “I should regard being the slave of a religious master the greatest calamity that could befall me. For of all slaveholders with whom I have ever met, religious slaveholders are the worst.”[2]

These religious masters, many of whom were ministers, appealed to selected Scriptural passages, which, when interpreted through their patriarchal, racist hermeneutical grid, supposedly provided biblical justification for the institution of slavery.  Knowing that his readers were thoroughly familiar with biblical stories, Douglass regularly draws upon Scriptural language and imagery in his critiques of slaveholders and the injustice of the slave system.[3] Realizing that some may misinterpret his remarks, take them out of context, or turn them against him in order to claim that his Christianity is disingenuous, he adds an appendix to stave off such criticisms. There he states explicitly that that his disparaging comments “apply to the slaveholding religion of this land, and with no possible reference to Christianity proper.”[4] Carefully crafting his condemnatory remarks into a rhetorical tour de force, Douglass sets “the Christianity of this land” in opposition to “the Christianity of Christ.”[5] Having developing his themes, set forth his contrasting, opposing voices, Douglass begins a movement composed of line after dissonant line detailing the inconsistencies of America’s so-called Christianity.

We have men-stealers for ministers, women-whippers for missionaries, and cradle-plunderers for church members. The man who wields the blood-clotted cowskin during the week fills the pulpit in Sunday, and claims to be a minister of the meek and lowly Jesus. The man who robs me of my earnings at the end of the week meets me as a class-leader on Sunday morning, to show me the way of life, and the path of salvation. He who sells my sister, for the purposes of prostitution, stands forth as the pious advocate of purity. He who proclaims it a religious duty to read the Bible denies me the right of learning to read the name of the God who made me. […] We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master.[6]

With the examples cited in this section, we have Douglass taking up familiar Scriptural language and images, reinterpreting them in order deconstruct the religious arguments alleged to sanction slavery and the slave’s “natural” inferiority. Douglass’s creative re-scripting of his subjectivity and his reclaiming of the Christian narrative for emancipatory purposes are variants of what Foucault calls “reverse discourse.” In such discourse the very same discursive elements can be employed for opposing, even contradictory purposes.[7] Since it was the case that in Douglass’s context, the dominant discourse of American Christianity, had become firmly established with relatively fixed meanings, recognized metaphors, and common applications, Douglass was able to re-appropriate these elements to create a powerful counter-hegemonic discourse.

In short, Douglass worked within the power mechanisms of an oppressive slave society, and his acts of resistance proved successful on multiple counts. His narrative helps us to see concretely and feel dramatically Foucault’s emphasis on the productive rather than merely oppressive dimensions of power relations. Likewise, the often grim picture associated with Foucault’s conclusion that there is no outside to power is given a brighter hue. If power and resistance are correlative, then the all-pervasiveness of power necessarily entails the all-pervasiveness of resistance, and thus the hope that we might become other than what we are at present.

Notes


[1] This phrase comes from John Winthrop’s 1630 sermon, “A Model of Christian Charity.” The sermon was given to his fellow Puritans while still at sea and served as a rallying call, urging them on to their future destiny as a city upon whose eyes the entire world shall be fixed.

[2] Frederick Douglass, in Douglass: Autobiographies: Narrative of the Life of Frederick Douglass, an American Slave/ My Bondage and My Freedom/ Life and Times of Frederick Douglass.  Edited by Henry Louis Gates Jr. (New York:  Library of America, 1994), 68.

[3] For example, in his description of Rev. Rigby Hopkins, whose slave “management” techniques included “whipping slaves in advance,” Douglass compares Hopkins to the Pharisees whom Jesus scathingly denounces in Matthew 23.  Just like hypocritical Pharisees of the New Testament, who “do all their deeds to be seen by others,” yet neglect “the weightier matters of the law: justice and mercy and faith” (Matt 23:5, 23, NRSV), these slaveholding Pharisees, whom Rev. Hopkins typifies, are likewise exposed as “blind guides” and “whitewashed tombs.”[3] Hopkins who would draw blood from a slave’s back for a mere wrong look, movement, mistake, or improperly inflected word, was also one of the most active men in revivals, prayer and preaching meetings, and other church-related activities. In Douglass’s words, “there was not a man any where round, who made higher professions of religion, […] that prayed earlier, later, louder, and longer,—than this same reverend slave-driver, Rigby Hopkins” (ibid., 70).

[4] Ibid., 97.

[5] Ibid.

[6] Ibid., 97–8.

[7] Foucault, History of Sexuality, vol. 1, 100.

A Call for Guest Posts: Violence and Christian Holy Writ

By Cynthia R. Nielsen

September 4, 2010

The relation between violence and the Christian religion or the role of violence in Christianity is of course not a new problem. However, like other difficult, controversial, and incredibly important issues, it is often left unaddressed or given scant attention in Christian circles including Christian seminaries.  Thankfully, at least some modern and

Marc Chagall (Russian-born French painter, 1887-1985), “Abraham Slaying Isaac”

Marc Chagall (Russian-born French painter, 1887-1985), “Abraham Slaying Isaac”

postmodern theologians, philosophers, and other Christian thinkers—Frederick Douglass, Jung Mo Sung, James Cone, J. Kameron Carter, William T. Cavanaugh have engaged the subject of violence and its relation to and manifestations within the Christian tradition.  Because I personally find this issue difficult, important, and extremely relevant to our current (post)modern context, I have decided to host a series of guest posts on the topic.  My interest in this series, however, is somewhat narrowly focused in a biblical hermeneutical direction.  That is, in dialogue with other Christians via this guest post format, I want to have a conversation about what Scripture itself says, promotes, prohibits, permits or seems to say, promote, prohibit, permit about violence, majoring on those difficult passages dealing with genocide, slavery, and the like—all with a view to developing a Christian hermeneutical trajectory that would enable us to intelligently and compassionately engage contemporary issues.

I have listed below specific topics for engagement and hope to receive two to three submissions per topic presenting different and perhaps even opposing perspectives. I welcome Catholic, Orthodox, and Protestant contributors, liberal as well as conservative. (Recently, a number of thoughtful non-Christians and atheists have written excellent works dealing with violence.  As a philosopher, I find these works incredibly valuable; however, for this series, I am looking for contributions exclusively from Christians, as I want the series to serve as a resource of sorts for Christians interested in this subject area and who also find it a challenge to their faith. If you would like to participate, please leave a comment with your name, institutional affiliation (if you have one), and a brief description of your proposal.  If you are selected to write a guest post, I will contact you via email and give you the details regarding the length, due date for the post, etc.  Generally speaking, the posts should be between 500–1500 words, with a strict maximum limit of 1500 words.

Specific Topics

  • How should a Christian community interpret the mass killings (genocide) commanded by God in the Old Testament (e.g. Joshua 6, 10, etc.)?  Should we read these allegorically, literally, or what?
  • How should a Christian community interpret passages in the Old Testament (e.g. Exodus and Leviticus) that at least appear to permit slavery?
  • How does a Christian community make sense out of seemingly opposed views on slavery (e.g. Philemon, and I Cor 7:23 verses 1 Peter) in the New Testament?
  • Does a Christian community’s theology of atonement make a difference as to  how it interprets the violent acts recorded in Scripture?  If so, how?
  • Given the relevance of Girard, a Girardian reading related to any of the above topics and which interacts with some particular Scripture passage is quite welcome.
    • If it is the case that Christianity breaks the cycle of sacrificial violence (at least in theory, historical praxis may be another story), how so?
    • From a more Catholic perspective, how ought we think of the Eucharistic “sacrifice” in dialogue with Girard’s insights?
    • What would Girard say to those holding a view of eternal (physical or psychological) punishment and torture of the “damned”?  If you are a creative type, a fictive dialogue between Dante and Girard would be ideal!