My new book, Interstitial Soundings. Philosophical Reflections on Improvisation, Practice, and Self-Making, is now available for purchase. Below I have included a brief description of the book. Also, Cascade/Wipf & Stock has put together a very nice promotional flyer with lengthy excerpts from the first two chapters. Those interested may download this document via this link.*
In the present work, Cynthia R. Nielsen brings music and philosophy into a fruitful and mutually illuminating dialogue. Topics discussed include the following: music’s dynamic ontology, performers and improvisers as co-composers, the communal character of music, jazz as hybrid and socially constructed, the sociopolitical import of bebop, Afro-modernism and its strategic deployments, jazz and racialized practices, continuities between Michel Foucault’s discussion of self-making and creating one’s musical voice, Alasdair MacIntyre on practice, and how one might harmonize MacIntyre’s notion of virtue development with Foucauldian resistance strategies.
*Used with permission of Wipf & Stock Publishers.